Week Five - Equipment

As the NMA can be shot from the Commonwealth Bridge i'll explore that option and see what i can muster at dawn, i'll need a long lens and a sturdy tripod so my camera doesn't go for a swim. I don't want the exterior shot to be like the thousand that already exist so i'm going to explore the use of the Tilt Shift. The interior shots will need a lovely wide lens but i do plan to incorporate some kind of stitching into those simply to change it up again, i may need to bounce a speedlite flash somehow for the industrial shoot. The studio shots are going to be a cohesive series themselves as i just want a single thought running through the series instead of five different elements, just something that ties together clean and neat. I'll be using the usual stuff in the studio, computers, tethering, gels, reflectors and the odd prop here and there. I'm excited to start the first process of shoot and elimination, finally have ideas down on paper instead of keeping me awake at night.